With reference to Terry’s post of 10 years ago, oysters have been very important to the history of NYC, and were ubiquitous in certain decades of the 19th century, to the point where the city was identified with oysters. If I may get personal for a moment, I’ve been eating at the Grand Central Oyster Bar since I was a kid. In a rapidly and constantly evolving place, it still feels like “old” Manhattan.
I, too, am trying to be more thorough, Sarah. Started in midway-ish through the Second Reading, and mostly only paid attention to the recent annotations, so I’m enjoying the opportunity to delve in deeper this time. Knowing what lies in his future makes it very interesting to see what led up to his thought process from when I was first introduced to the diary.
Phil, thanks again for this whole endeavor, and for the labeling of the 1st-3rd Readings. The ability to see that at a glance really adds to the pleasure of who knew/guessed what/when, and CA’s time machine aspect.
I wondered if this might refer to the ringing of bells instead of the piece of jewelry I initially assumed, and there is some evidence for that (http://hoydensandfirebrands.blogspot.com/2009/07/…): "In the 17th Century, a passing bell was rung for the dead or dying: Nine rings for a man, six rings for a woman and three rings for a child - followed by one ring for each year of the deceased life."
Though in this case I am sure the first assumption was correct: "Wealthier families distributed mourning rings among friends and family, bearing the name of the deceased and the date of death engraved on them. Worn for up to a year after the death, these were usually fashioned from black enamel for the men and gold with a black band for the ladies.
On a mourning ring crafted as a memento of the Martyr King, Charles I, the inscription says, ’prepared be to follow me’."
I'm throwing in with Mary, languagehat, and London Lynn. My reading of "but I have the confidence to deny it to the perjury of myself", given past behavior and modes of expression, is that he is projecting into the future and at least considering not keeping his word, but is comfortable in doing so because he believes he will have skill enough to get away with it, even if it means perjuring himself.
Narrator : Fearless Leader here? But I thought we had laws against that kind of thing. Fearless Leader : You fool. Laws only keep out honest people. Narrator : What... What do you mean? Fearless Leader : If you're a crook, you sneak in anyway.
Thanks for the replies, everyone, and the soft correction - even as I typed "comment-" I somehow realized I should have typed "annotators", but neglected to rectify it.
A massive thanks to Phil - and I do hope the second round has been mostly automated or at least less work involved. And thank you, Sarah, for adding "some more significant correspondence to fill out the national picture", which has been great (I, too, have wondered about the habit-forming propensity of the long term commitment and how that has borne out with folks). And thanks to everyone else, past and present, who has participated in this virtual village.
I landed here sometime in 2016, so I've only been around for the second half of the Diary, and am hoping to catch the beginning (:
I often wonder if regular commentators from years past still visit the site and how they might reflect on their thoughts and interactions from that time.
"Up betimes, and Knepp’s maid comes to me, to tell me that the women’s day at the playhouse is to-day, and that therefore I must be there, to encrease their profit."
"A clear example of the Restoration actress’s success and popularity can be found in the figure of Elizabeth Barry. Barry is first listed as a member of the Duke’s Company in 1673-74 and acted until 1710, playing both majestic tragic roles and witty comic heroines. The actress was in fact the first performer to be awarded an annual benefit night, a significant way of boosting her income and an acknowledgment of her popularity with the audience.
Benefits were nights on which a particular actor or actress would take home the evening’s takings minus the theatre’s operating expenses for the evening.
Performers could earn more than £50 on such a night, a sum that could double the annual salary of a secondary company member. The actor or actress in question usually picked the play that would be staged for his or her benefit (often a role in which he or she was particularly popular) and was responsible for selling tickets to patrons, focusing on the upper classes, who could pay generously. Benefits became a key part of the theatre’s financial operations in the early eighteenth century. They were stipulated in performers’ contracts and the season would end with a run of benefit performances, usually with the company’s biggest star going first."
I guess in our particular earlier case, the situation was more communal with the take being split amongst (at least the more prominent) ladies.
https://www.british-history.ac.uk/old-new-london/… : In one of Tom D'Urfey's songs, called "A Touch of the Times," published in 1719, occurs the following allusion to "The Folly:"— "When Drapers' smugg'd apprentices, With Exchange girls mostly jolly, After shop was shut up and all, Could sail up to 'The Folly.’"
The above is a long article. For those interested, just search for the term "Folly". It will come up in the second paragraph below the illustration of "The Chinese Junk".
Comments
Third Reading
About Saturday 21 April 1660
JB • Link
With reference to Terry’s post of 10 years ago, oysters have been very important to the history of NYC, and were ubiquitous in certain decades of the 19th century, to the point where the city was identified with oysters. If I may get personal for a moment, I’ve been eating at the Grand Central Oyster Bar since I was a kid. In a rapidly and constantly evolving place, it still feels like “old” Manhattan.
About Sunday 29 January 1659/60
JB • Link
Love the new name, AK.
I, too, am trying to be more thorough, Sarah. Started in midway-ish through the Second Reading, and mostly only paid attention to the recent annotations, so I’m enjoying the opportunity to delve in deeper this time. Knowing what lies in his future makes it very interesting to see what led up to his thought process from when I was first introduced to the diary.
Phil, thanks again for this whole endeavor, and for the labeling of the 1st-3rd Readings. The ability to see that at a glance really adds to the pleasure of who knew/guessed what/when, and CA’s time machine aspect.
Second Reading
About Wednesday 17 February 1668/69
JB • Link
"...had each of us a ring"
I wondered if this might refer to the ringing of bells instead of the piece of jewelry I initially assumed, and there is some evidence for that (http://hoydensandfirebrands.blogspot.com/2009/07/…):
"In the 17th Century, a passing bell was rung for the dead or dying: Nine rings for a man, six rings for a woman and three rings for a child - followed by one ring for each year of the deceased life."
Though in this case I am sure the first assumption was correct:
"Wealthier families distributed mourning rings among friends and family, bearing the name of the deceased and the date of death engraved on them. Worn for up to a year after the death, these were usually fashioned from black enamel for the men and gold with a black band for the ladies.
On a mourning ring crafted as a memento of the Martyr King, Charles I, the inscription says, ’prepared be to follow me’."
Mourning rings had been around since at least the 14th century, but came into their own in the 17th: https://en.wikipedia.org/wiki/Mourning_ring
An example:
https://www.smithsonianmag.com/smart-news/350-yea…
About Friday 22 January 1668/69
JB • Link
Terry, I admire the perseverance with which you posted the updated links to the Danckerts' paintings. Thank you.
About Wednesday 18 November 1668
JB • Link
There is still a rather short street on Staten Island known as Lovelace Ave.
About Thursday 19 November 1668
JB • Link
I'm throwing in with Mary, languagehat, and London Lynn. My reading of "but I have the confidence to deny it to the perjury of myself", given past behavior and modes of expression, is that he is projecting into the future and at least considering not keeping his word, but is comfortable in doing so because he believes he will have skill enough to get away with it, even if it means perjuring himself.
About Wednesday 11 November 1668
JB • Link
Regarding SDS's link, https://www.pepysdiary.com/encyclopedia/9548/, that was QUITE the rise in income during the latter half of 1665!
About Sunday 8 November 1668
JB • Link
A sentiment in existence a decade later.
About Wednesday 4 November 1668
JB • Link
Condolences, SDS, very sorry for your loss.
About Saturday 31 October 1668
JB • Link
SDS, RG's "Fearless Leader" was the main antagonist in The Rocky and Bullwinkle animated show.
https://www.imdb.com/title/tt8883416/characters/n…
(in the 3rd section from the top):
Narrator : Fearless Leader here? But I thought we had laws against that kind of thing.
Fearless Leader : You fool. Laws only keep out honest people.
Narrator : What... What do you mean?
Fearless Leader : If you're a crook, you sneak in anyway.
About Sunday 25 October 1668
JB • Link
Thanks for the replies, everyone, and the soft correction - even as I typed "comment-" I somehow realized I should have typed "annotators", but neglected to rectify it.
A massive thanks to Phil - and I do hope the second round has been mostly automated or at least less work involved. And thank you, Sarah, for adding "some more significant correspondence to fill out the national picture", which has been great (I, too, have wondered about the habit-forming propensity of the long term commitment and how that has borne out with folks). And thanks to everyone else, past and present, who has participated in this virtual village.
I landed here sometime in 2016, so I've only been around for the second half of the Diary, and am hoping to catch the beginning (:
About Sunday 25 October 1668
JB • Link
I often wonder if regular commentators from years past still visit the site and how they might reflect on their thoughts and interactions from that time.
About Monday 28 September 1668
JB • Link
"Up betimes, and Knepp’s maid comes to me, to tell me that the women’s day at the playhouse is to-day, and that therefore I must be there, to encrease their profit."
The following is from a little later in history, but it does shed light on the practice and how it developed from there.
https://core.ac.uk/download/pdf/230561902.pdf
"A clear example of the Restoration actress’s success and popularity can be found in the figure of Elizabeth Barry. Barry is first listed as a member of the Duke’s Company in 1673-74 and acted until 1710, playing both majestic tragic roles and witty comic heroines. The actress was in fact the first performer to be awarded an annual benefit night, a significant way of boosting her income and an acknowledgment of her popularity with the audience.
Benefits were nights on which a particular actor or actress would take home the evening’s takings minus the theatre’s operating expenses for the evening.
Performers could earn more than £50 on such a night, a sum that could double the annual salary of a secondary company member. The actor or actress in question usually picked the play that would be staged for his or her benefit (often a role in which he or she was particularly popular) and was responsible for selling tickets to patrons, focusing on the upper classes, who could pay generously. Benefits became a key part of the theatre’s financial operations in the early eighteenth century. They were stipulated in performers’ contracts and the season would end with a run of benefit performances, usually with the company’s biggest star going first."
I guess in our particular earlier case, the situation was more communal with the take being split amongst (at least the more prominent) ladies.
About Tuesday 1 September 1668
JB • Link
Yes, indeed, thank you, SDS.
About Sunday 23 August 1668
JB • Link
SDS - No apologies necessary, and thanks very much!
About Thursday 2 July 1668
JB • Link
Yes, please continue, Sarah. It adds so much! Many thanks.
About Monday 25 May 1668
JB • Link
Just want to say I really enjoyed the whole "vezes" mystery from a decade past!
About Sunday 17 May 1668
JB • Link
"Anyone have a link to an image showing Sam’s latest fashion?"
New link. Sam's descriptions feature a number of times in “The 1660s, Restoration Costume Comes to Life, Part 3 Gentry and Aristocracy":
http://www.kipar.org/archive/costume-workshop/par…
About Monday 13 April 1668
JB • Link
https://www.british-history.ac.uk/old-new-london/… :
In one of Tom D'Urfey's songs, called "A Touch of the Times," published in 1719, occurs the following allusion to "The Folly:"—
"When Drapers' smugg'd apprentices,
With Exchange girls mostly jolly,
After shop was shut up and all,
Could sail up to 'The Folly.’"
The above is a long article. For those interested, just search for the term "Folly". It will come up in the second paragraph below the illustration of "The Chinese Junk".
More on The Folly:
https://www.layersoflondon.org/map?l=eyJmcmVlX3Rl…
The next few links are sourced from the preceding one, with additional info:
https://www.britishmuseum.org/collection/object/P…
https://www.britishmuseum.org/collection/object/P…
https://victorianweb.org/art/illustration/cruiksh…
A final look:
https://www.alamy.com/stock-photo-the-folly-on-th…
About Monday 23 December 1667
JB • Link
Nothing new to add, just want to echo the chorus of gratitude and good wishes above. Thanks to Phil and everyone who is a part of this.