Tuesday 7 April 1668

Up, and at the office all the morning, where great hurry to be made in the fitting forth of this present little fleet, but so many rubs by reason of want of money, and people’s not believing us in cases where we had money unless (which in several cases, as in hiring of vessels, cannot be) they be paid beforehand, that every thing goes backward instead of forward. At noon comes Mr. Clerke, my solicitor, and the Auditor’s men with my account drawn up in the Exchequer way with their queries, which are neither many nor great, or hard to answer upon it, and so dined with me, and then I by coach to the King’s playhouse, and there saw “The English Monsieur;” sitting for privacy sake in an upper box: the play hath much mirth in it as to that particular humour. After the play done, I down to Knipp, and did stay her undressing herself; and there saw the several players, men and women go by; and pretty to see how strange they are all, one to another, after the play is done. Here I saw a wonderful pretty maid of her own, that come to undress her, and one so pretty that she says she intends not to keep her, for fear of her being undone in her service, by coming to the playhouse. Here I hear Sir W. Davenant is just now dead; and so who will succeed him in the mastership of the house is not yet known. The eldest Davenport is, it seems, gone from this house to be kept by somebody; which I am glad of, she being a very bad actor. I took her then up into a coach and away to the Park, which is now very fine after some rain, but the company was going away most, and so I took her to the Lodge, and there treated her and had a deal of good talk, and now and then did baiser la, and that was all, and that as much or more than I had much mind to because of her paint. She tells me mighty news, that my Lady Castlemayne is mightily in love with Hart of their house: and he is much with her in private, and she goes to him, and do give him many presents; and that the thing is most certain, and Becke Marshall only privy to it, and the means of bringing them together, which is a very odd thing; and by this means she is even with the King’s love to Mrs. Davis. This done, I carried her and set her down at Mrs. Manuel’s, but stayed not there myself, nor went in; but straight home, and there to my letters, and so home to bed.

8 Annotations

Robert Gertz   Link to this

"Here I saw a wonderful pretty maid of her own, that come to undress her, and one so pretty that she says she intends not to keep her, for fear of her being undone in her service, by coming to the playhouse."

Life upon the Wicked Stage ain't no place for a girl...

"And what would your name be, my pretty one?"

"Eve, sir. Eve Carrington, Mr. Pepys."

"Ah...Keeping up with Society I see. Well, Eve...Would you too like to be an actress like Mrs. Knipp and win the applause of the house and the favor of famous and powerful men?"

Eve gives Well, duh? look...

"Right. Yes, well you must ask Betty Knipp to tell you about that. Betty Knipp knows...All about it." shrewd look.

"All about what, sir?"

Ummn...

Christopher Squire   Link to this

‘rub n. . . 2.b. gen. Any physical obstacle or impediment to movement, esp. one that is unexpected. Also in figurative contexts. Obs.
. . 1769    H. Brooke Fool of Quality IV. xvii. 201   Men‥who would be perpetually putting rubs before the wheels of good government.
. . 3.a. An obstacle, impediment, or difficulty of a non-material nature.
Very common during the 17th and 18th centuries. In some instances difficult to distinguish from the use of sense 2b in figurative contexts.
. . 1640    K. Digby in Lismore Papers (1888) 2nd Ser. IV. 135   Your father‥is at euery rubb called vpon by the King, as yf nothing could be well done, that he did not dictate.
1686    J. Goad Astro-meteorologica i. xviii. 116   We must look for some Rubs in pursuit of Natural Knowledge.
1718    J. D. Breval Play is Plot iv. i. 37   My good Genius has thrown all these rubs in my Way, to prevent my Destruction.’

‘stay v. . . III. trans. To stop, arrest, check.
. . 23. a. To prevent, hinder, stop (a person or thing) from doing something; to check, restrain. Const. from, †of a course of action, etc.); †to (with inf.); †but that. Now rare or poet.
. . 1630    E. Pagitt Christianogr. (1636) i. ii. 73   This made St. Augustine‥to write his bookes‥to stay his countriemen from Idolatrie.’ [OED]

Terry Foreman   Link to this

"comes Mr. Clerke, my solicitor, and the Auditor’s men with my account drawn up in the Exchequer way with their queries, which are neither many nor great, or hard to answer upon it"

The "it" is apparently this enquiry, or so L&M: http://www.pepysdiary.com/diary/1668/04/04/#c32...

martinb   Link to this

"as much or more than I had much mind to because of her paint."

Worried about tell-tale signs of lipstick/face-paint on the collar, presumably?

mary k mcintyre   Link to this

@martinb -- Sam hates patches & blonde hairpieces (on his wife, anyway), and dislikes the artifice of facepaint

nix   Link to this

There shouldn't be any worry about lipstick on the collar -- Elizabeth is still away, isn't she?

Kevin Peter   Link to this

Sam has previously remarked about his distaste for face paint. On one instance, he described the face paint on Mrs Pierce, who he normally considers a beauty, as making her look very unattractive.

No doubt he was so disgusted by the face paint on Knipp, that he could hardly stand to kiss her.

So ladies, if you want to keep Sam's hands off of you, wear the face paint!

Ivan   Link to this

Why does Mr P hate face paint so much? It seems almost pathological.

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