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Thomas Shadwell | |
---|---|
Poet Laureate of England | |
In office 9 March 1689 – 19 or 20 November 1692 | |
Monarchs | William III and Mary II |
Preceded by | John Dryden |
Succeeded by | Nahum Tate |
Personal details | |
Born | c. 1642 Weeting or Lynford, Norfolk, England |
Died | (1692-11-19)19 November 1692 (aged approx. 49–50) London, England |
Spouse | Anne Shadwell |
Children | 4, including Charles |
Alma mater | Gonville and Caius College, Cambridge |
Occupation | Poet, playwright |
Awards | Poet laureate |
Thomas Shadwell (c. 1642 – 19 November 1692) was an English poet and playwright who was appointed Poet Laureate in 1689.[1]
Life
Shadwell was born at either Bromehill Farm, Weeting-with-Broomhill or Santon House, Lynford, Norfolk,[2] and educated at Bury St Edmunds School, and at Gonville and Caius College, Cambridge, which he entered in 1656.[3] He left the university without a degree and joined the Middle Temple. At the Whig triumph in 1688, he superseded John Dryden as poet laureate and historiographer royal. He died at Chelsea on 19 November 1692.[4] He was buried in Chelsea Old Church, but his tomb was destroyed by wartime bombing. A memorial to him with a bust by Francis Bird survives in Poets' Corner in Westminster Abbey.[5]
He was married to the actress Anne Shadwell, who appeared in several of his plays. They had four children including the playwright Charles Shadwell and John Shadwell, a physician who attended to both Queen Anne and George I.[6]
Works
In 1668 he produced a prose comedy, The Sullen Lovers, or the Impertinents, based on Les Fâcheux by Molière, and written in open imitation of Ben Jonson's comedy of humours. His best plays are Epsom Wells (1672), for which Sir Charles Sedley wrote a prologue, and The Squire of Alsatia (1688). Alsatia was the cant name for the Whitefriars area of London, then a kind of sanctuary for persons liable to arrest, and the play represents, in dialogue full of the local argot, the adventures of a young heir who falls into the hands of the sharpers there.[7][8]
For fourteen years from the production of his first comedy to his memorable encounter with John Dryden, Shadwell produced a play nearly every year. These productions display a hatred of sham, and a rough but honest moral purpose. Although bawdy, they present a vivid picture of contemporary manners.[9]
Shadwell is chiefly remembered as the unfortunate Mac Flecknoe of Dryden's satire, the "last great prophet of tautology", and the literary son and heir of Richard Flecknoe:
"Shadwell alone, of all my sons, is he
Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence,
But Shadwell never deviates into sense."[10]
Dryden had furnished Shadwell with a prologue to his True Widow (1679) and, in spite of momentary differences, the two had been on friendly terms. But when Dryden converted to Catholicism, joined the court party and produced Absalom and Achitophel and The Medal, Shadwell became the champion of the Protestants and made a scurrilous attack on Dryden in The Medal of John Bayes: a Satire against Folly and Knavery (1682). Dryden immediately retorted in Mac Flecknoe, or a Satire on the True Blue Protestant Poet, T.S. (1682), in which Shadwell's personal attacks were returned with interest. In 1687, Shadwell attempted to answer these attacks in a version of Juvenal's 10th Satire.[9] However, Dryden's portrait of Shadwell as Og in the second part of Absalom and Achitophel cut far deeper and has withstood the test of time:
"A monstrous mass of foul corrupted matter,
As all the devils had spew'd to make the batter.
When wine has given him courage to blaspheme,
He curses God, but God before curst him; [...]
The midwife laid her hand on his thick skull,
With this prophetic blessing-- Be thou dull;
Drink, swear and roar, forbear no lewd delight
Fit for thy bulk, do anything but write".[11]
Nonetheless, due to the political triumph of the Whig party in 1688, Shadwell superseded his enemy as Poet Laureate and historiographer royal.[9]
His son, Charles Shadwell was also a playwright. A scene from his play The Stockjobbers was included as an introduction in Caryl Churchill's Serious Money (1987).[4]
Poems
Dear Pretty Youth
| |
Dear pretty youth, unveil your eyes, | |
Love in their little veins inspires
| |
Love in their little veins inspires | |
Nymphs and Shepherds
| |
Nymphs and shepherds, come away. | |
Bibliography
A complete edition of Shadwell's works was published by another son, Sir John Shadwell, in 1720. Thomas Shadwell's other dramatic works are:
- The Sullen Lovers (1668), adapted from Molière
- The Royal Shepherdess (1669), an adaptation of John Fountain's Rewards of Virtue
- The Humorist (1671)
- The Miser (1672), adapted from Molière
- Psyche (1675)
- The Libertine (1676)
- The Virtuoso (1676)
- The History of Timon of Athens the Man-hater (1678), — on this Shakespearian adaptation see Oscar Beber's inaugural dissertation, Thom. Shadwell's Bearbeitung des Shakespeare'schen "Timon of Athens" (Rostock, 1897)
- A True Widow (1679)
- The Woman Captain (1680), revived in 1744 as The Prodigal
- The Lancashire Witches and Teague O'Divelly, the Irish Priest (1682)
- Bury Fair (1689)
- The Amorous Bigot, with the second part of Teague O'Divelly (1690)
- The Scowerers (1691)
- The Volunteers, or Stockjobbers, published posthumously (1693)
See also
Notes
- ^ Aitken, George Atherton (1897). . Dictionary of National Biography. Vol. 51. pp. 340–343.
- ^ Clarke, WG (1937). In Breckland Wilds. Heffer & Sons Ltd, Cambridge; 2nd edition, p.142
- ^ "Shadwell, Thomas (SHDL656T)". A Cambridge Alumni Database. University of Cambridge.
- ^ a b Thomas Shadwell Archived 28 November 2004 at the Wayback Machine
- ^ Dictionary of British Sculptors 1660-1851 by Rupert Gunnis
- ^ Highfill, Philip H, Burnim, Kalman A. & Langhans, Edward A. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800, Volume 13. SIU Press, 1991. p.276
- ^ Shadwell Archived 9 June 2012 at the Wayback Machine
- ^ Thomas Shadwell biography Archived 28 November 2004 at the Wayback Machine
- ^ a b c "NNDB". NNDB. Retrieved 19 June 2018.
- ^ "MacFleck'noe". Bartleby.com. Retrieved 19 June 2018.
- ^ "Satire". Bartleby.com. Retrieved 19 June 2018.
- ^ "Love in their little veins inspires". Lieder.net. 16 June 2014. Retrieved 19 June 2018.
- ^ "Nymphs and Shepherds". Lieder.net. 16 June 2014. Retrieved 19 June 2018.
References
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Shadwell, Thomas". Encyclopædia Britannica. Vol. 24 (11th ed.). Cambridge University Press. p. 759.
External links
- Works by or about Thomas Shadwell at Wikisource
- Works by or about Thomas Shadwell at the Internet Archive
- Works by Thomas Shadwell at LibriVox (public domain audiobooks)
- 14 Shadwell Plays Online.
4 Annotations
First Reading
vicenzo • Link
from A. Hamilton on Fri 31 Dec 2004, Q:Same Thos Shadwell lampooned by Dryden?
Yes.
bio:
http://www.don-juan.org/english/a…
Pedro. • Link
Shadwell (L&M Companion)
"Dramatist and wit; friend of Sedley. A better conversationalist than writer, if we may believe Rochester. ('If Shadwell had burnt all he wrote, and printed all he spoke, he would have had more wit and humour than any other poet')"
Pedro • Link
Thomas Shadwell
In 1676 his play The Virtuoso, he lampoons the Members of the Royal Society. The central figure Sir Nicholas Gimcrack quotes from Hooke's Micrographia, and the character Sir Formal Trifle pokes fun at John Evelyn.
The Fellows were mortified to learn that the King had attended a performance of the play, evidence that the Royal Society was a laughing stock at the Court.
(Source: John Evelyn, Living for Ingenuity by Gillian Darley)
Second Reading
Bill • Link
SHADWELL, THOMAS (1642?-1692), dramatist and poet; educated at Caius College, Cambridge, and entered Middle Temple; produced the 'Sullen Lovers,' based on Moliere's ' Les Facheux,' at Lincoln's Inn Fields, London, 1668; produced dramatic pieces, including an opera, the 'Enchanted Island' (from Shakespeare's 'Tempest'), 1673, 'Timon of Athens,' 1678, the 'Squire of Alsatia,' 1688, and the 'Scowrers,' 1691; was at open feud with Dryden from 1682, the two poets repeatedly attacking one another in satires, among which were Dryden's 'Medal' and 'MacFlecknoe,' and Shadwell's 'The Medal of John Bayes,' 1682, and a translation of the 'Tenth Satire of Juvenal,' 1687; superseded Dryden as poet-laureate and historiographer royal at the revolution.
---Dictionary of National Biography: Index and Epitome. S. Lee, 1906.