5 Annotations

Alan Bedford  •  Link

English organist and composer. Second son of Orlando Gibbons, he sang as a boy in the Chapel Royal under Giles; probably also studied with his father, after whose death in 1625 he went to live with an uncle in Exeter. Succeeded Thomas Holmes as organist at Winchester Cathedral in 1638; the Civil War, and subsequent suppression of church music, terminated this post in 1642. He lived and taught in London, 1651-60; collaborated with Locke on the masque Cupid and Death in 1653 and was heard on the organ at Oxford in 1654. He became organist at the Chapel Royal and to King Charles II upon the Restoration in 1660, later also serving at Westminster Abbey until his death. A bribery scandal involving construction of an organ did not diminish his stature with the king, who nominated him for an Oxford doctorate in 1663. Known in his time primarily as a performer. His compositions include sacred works along with consort and keyboard music. Blow was among his pupils.

Source: http://www.hoasm.org/VIIA/GibbonsC.html

Alexander More  •  Link

A small, rather pedantic point. The Interregnum was the period between the overthrow of James II in 1689 and the accession of William of Orange. Between the execution of Charles I and the Restoration, the country was ruled, although not by a monarch. That period was therefore not an interregnum. It is still generally known by Cromwell's term: The Commonwealth.

Bill  •  Link

Christopher Gibbons, Mus. Doct. Oxon. (1664), second son of the more celebrated Dr. Orlando Gibbons (who died in 1625). Born 1615. He was appointed organist to Westminster Abbey, 1660, and composed several anthems. He died October 20th, 1676, and is buried in the cloisters of the Abbey.
---Wheatley, 1899.

Bill  •  Link

GIBBONS, CHRISTOPHER (1615-1676), organist; elder son of Orlando Gibbons; educated in Exeter choir; organist of Winchester Cathedral, 1638-61; at Restoration appointed to Chapel Royal, to Westminster Abbey, and court organist; Mus. Doc. Oxford, 1663; contributed to 'Cantica Sacra,' 1674; collaborated with Lock in music to Shirley's 'Cupid and Death,' 1663.
---Dictionary of National Biography: Index and Epitome. S. Lee, 1906.

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