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Edward Kynaston (c.1640 - January 1712) was an English actor, one of the last Restoration "boy players," young male actors who played women's roles.

[edit] Career

Kynaston was good looking and made a convincing woman: Samuel Pepys called him "the loveliest lady that ever I saw in my life" after seeing him in a production of John Fletcher's The Loyal Subject at the Cockpit-in-Court, "only her [sic] voice not very good." He also played the title role in Ben Jonson's Epicoene. Pepys had dinner with Kynaston after this production on August 18, 1660.[1]

Simultaneously, Kynaston played male roles as well. He filled the role of Otto in Rollo Duke of Normandy on December 6, 1660, having played the female role of Arthiope in the same play in previous weeks. On January 7, 1661, Kynaston played three roles in a performance of Jonson's Epicene, one female and two male.[2]

Part of Kynaston's appeal may have been his ambiguous sexuality. The actor Colley Cibber recalled: "the Ladies of Quality prided themselves in taking him with them in their Coaches to Hyde-Park in his Theatrical Habit, after the Play."[3] Cibber also reported that a performance of a tragedy attended by Charles II was once delayed because, as someone explained, Kynaston, who was playing the Queen, "was not shav'd."[4]

In the 1660s women were permitted to appear on stage and male actors playing female roles in serious drama was strongly discouraged. Kynaston's last female role was as Evadne in Beaumont and Fletcher's The Maid's Tragedy with Thomas Killigrew's King's Company in 1661.

Described by Samuel Pepys as "the prettiest woman in the whole house" and "the handsomest man," the rumor of the time had him playing female roles off stage as well. When already in his thirties, lampoons circulated that made him out to be the lover of George Villiers, 2nd Duke of Buckingham.[5]

Kynaston went on to make a successful career in male roles and was noted for his portrayal of Shakespeare's Henry IV. He retired in 1699.

[edit] Fictional portrayals

Kynaston is played by Billy Crudup in the 2004 film Stage Beauty directed by Sir Richard Eyre. He is represented as a foppish bisexual, who slowly reveals more complexity in his personality and sexuality. The film is an adaptation of the play Compleat Female Stage Beauty by Jeffrey Hatcher.

[edit] See also

[edit] References

  1. ^ The Diary of Samuel Pepys, Saturday 18 August 1660.
  2. ^ Howe, Elizabeth. The First English Actresses: Women and Drama, 1660–1700. Cambridge, Cambridge University Press, 1992; p. 25.
  3. ^ Colley Cibber, An Apology for the Life of Colley Cibber, With an Historical View of the Stage During His own Time: Written by Himself, Byrne R. S. Fone, ed., Mineola, NY, Courier Dover, 2000; p. 71.
  4. ^ Cibber, p. 71.
  5. ^ Matt Cook, A gay history of Britain: love and sex between men since the Middle Ages‎ - Page 67

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1889 mezzotint engraving of Edward Kynaston.

Annotations

  • Kynaston is the main character in a recent film, apparently.

    See (i.a.):
    http://www.comingsoon.net/news.php?id=423

  • Kynaston is the main character in “Stage Beauty,” to be released in October 2004. Hugh Bonneville plays Pepys in the film.

  • Up until the early 1660’s women’s roles were played by men, Edward Kynaston was England’s most celebrated leading lady, using his beauty and skill to make the great female roles his own. When Charles II eventually allowed real women to play women roles and the men could no longer do so, Kynaston becomes a virtual nobody.

  • Actually, Kynaston continued to be a successful dramatic actor after the introduction of actresses, which would likely have happened with age anyway (that was often the story with boy actors).

    Stage beauty is good, and references lots of historical accounts, but it emphasizes and dramatizes certain facts for the sake of narrative. For instance Kynaston had in fact played men various times before it became official decree that men could only play men (interestingly, I think the first English woman to play a male character was in 1667?).

  • Sorry, the first English woman playing a man was actually in 1776, Sarah Siddon, as Hamlet.

  • actually, it was Mrs. Coleman in a private theater before/in 1656.

  • just kidding i misread the answer.

1889 mezzotint engraving of Edward Kynaston.

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References in the diary

A graph of all the references in the diary

1660
Aug: 18
1661
Jan: 7
1889 mezzotint engraving of Edward Kynaston.