The text is available online at Fordham University.
The text is available online at Fordham University.
This text was copied from Wikipedia on 20 January 2017 at 3:25PM.
The Golden Legend (Latin: Legenda aurea or Legenda sanctorum) is a collection of hagiographies by Jacobus de Voragine that was widely read in late medieval Europe. More than a thousand manuscripts of the text have survived. It was likely compiled around the year 1260, although the text was added to over the centuries.
Initially entitled Legenda sanctorum (Readings of the Saints), it gained its popularity under the title by which it is best known. It overtook and eclipsed earlier compilations of abridged legendaria, the Abbreviatio in gestis et miraculis sanctorum attributed to the Dominican chronicler Jean de Mailly and the Epilogus in gestis sanctorum of the Dominican preacher Bartholomew of Trent. Over eight hundred manuscript copies of the work survive, and when printing was invented in the 1450s, editions appeared quickly, not only in Latin, but also in every major European language. Among incunabula, printed before 1501, Legenda aurea was printed in more editions than the Bible. It was one of the first books William Caxton printed in the English language; Caxton's version appeared in 1483 and his translation was reprinted, reaching a ninth edition in 1527. In 1900, the Caxton version was translated by Frederick Startridge Ellis, and published in seven volumes. De Voragine's original was translated into French around the same time by Téodor de Wyzewa.
The book sought to compile traditional lore about all of the saints venerated at the time of its compilation. Jacobus de Voragine typically begins with an (often fanciful) etymology for the saint's name. An example (in Caxton's translation) shows his method:
Silvester is said of sile or sol which is light, and of terra the earth, as who saith the light of the earth, that is of the church. Or Silvester is said of silvas and of trahens, that is to say he was drawing wild men and hard unto the faith. Or as it is said in glossario, Silvester is to say green, that is to wit, green in contemplation of heavenly things, and a toiler in labouring himself; he was umbrous or shadowous. That is to say he was cold and refrigate from all concupiscence of the flesh, full of boughs among the trees of heaven.
As a Latin author, Jacobus de Voragine must have known that Silvester, a relatively common Latin name, simply meant "from the forest". The correct derivation is alluded to in the text, but set out in parallel to fanciful ones that lexicographers would consider quite wide of the mark. Even the "correct" explanations (silvas, "forest", and the mention of green boughs) are used as the basis for an allegorical interpretation. Jacobus de Voragine's etymologies had different goals from modern etymologies, and cannot be judged by the same standards. Jacobus de Voragine's etymologies have parallels in Isidore of Seville's Etymologiae, in which linguistically accurate derivations are set out beside allegorical and figurative explanations.
Jacobus de Voragine then moves on to the saint's life, compiled with reference to the readings from the Roman Catholic Church's liturgy commemorating that saint; then embellishes the biography with supernatural tales of incidents involving the saint's life.
The chapter "St Pelagius, Pope and the History of the Lombards" begins with the story of St Pelagius, then proceeds to touch upon events surrounding the origin and history of the Lombards in Europe leading up to the 7th century when the story of Muhammad begins.The story then goes on to describe "Magumeth (Mahomet, Muhammad)" as "a false prophet and sorcerer", detailing his early life and travels as a merchant through his marriage to the widow, Khadija and goes on to suggest his "visions" came as a result of epileptic seizures and the interventions of a renegade Nestorian monk named Sergius. The chapter conveys the limited medieval Christian understanding of the beliefs of Saracens and other Muslims.
Many of the stories also conclude with miracle tales and similar wonderlore from accounts of those who called upon that saint for aid or used the saint's relics. Such a tale is told of Saint Agatha; Jacobus de Voragine has pagans in Catania repairing to the relics of St. Agatha to supernaturally repel an eruption of Mount Etna:
A substantial portion of Jacobus' text was drawn from two epitomes of collected lives of the saints, both also arranged in the order of the liturgical year, written by members of his Dominican order: one is Jean de Mailly's lengthy Abbreviatio in gestis et miraculis sanctorum (Summary of the Deeds and Miracles of the Saints) and the other is Bartholomew of Trent's Epilogum in gesta sanctorum (Afterword on the Deeds of the Saints). The many extended parallels to text found in Vincent de Beauvais' Speculum historiale, the main encyclopedia that was used in the Middle Ages, are attributed by modern scholars to the two authors' common compilation of identical sources, rather than to Jacobus' reading Vincent's encyclopedia. More than 130 more distant sources have been identified for the tales related of the saints in the Golden Legend, few of which have a nucleus in the New Testament itself; these hagiographic sources include apocryphal texts such as the Gospel of Nicodemus, and the histories of Gregory of Tours and John Cassian. Many of his stories have no other known source. A typical example of the sort of story related, also involving St. Silvester, shows the saint receiving miraculous instruction from Saint Peter in a vision that enables him to exorcise a dragon:
Voragine had his limits; he describes the story of Saint Margaret of Antioch surviving being swallowed by a dragon as "apocryphal and not to be taken seriously" (trans. Ryan, 1.369).
The adverse reaction to Legenda aurea under critical scrutiny in the 16th century was led by scholars who reexamined the criteria for judging hagiographic sources and found Legenda aurea wanting; prominent among the humanists were two disciples of Erasmus, Georg Witzel, in the preface to his Hagiologium, and Juan Luis Vives in De disciplinis. Criticism among members of Jacobus' Dominican order were muted by the increased reverence towards the archbishop, which culminated in his beatification in 1815. The rehabilitation of Legenda aurea in the 20th century, now interpreted as a mirror of the heartfelt pieties of the 13th, is attributed to Téodor de Wyzewa, whose retranslation into French, and its preface, have been often reprinted.
Written in simple, readable Latin, the book was read in its day for its stories. The book is considered the closest to an encyclopaedia of medieval saint lore that survives today; as such it is invaluable to art historians and medievalists who seek to identify saints depicted in art by their deeds and attributes. Its repetitious nature is explained if Jacobus de Voragine meant to write a compendium of saintly lore for sermons and preaching, not a work of popular entertainment.
The critical edition of the Latin text has been edited by Giovanni Paolo Maggioni (Florence: SISMEL 1998).
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Jacobus, de Voragine, ca. 1229-1298.
[Legenda aurea. English]
[Colophon: Thus endeth the legende, named in latyn Lege[n]da aurea that is to saye in englysshe the golden legende. Finysshed the. xxvii. daye of August, the yere of our lord. M.CCCCC.xxvii. the. xix. yere of the regne of our souerayne lorde kynge Henry the eyght. Imprynted at London in Flete strete at the sygne of the sonne, by Wynkyn de Worde.]
[London : Printed by Wynkyn de Worde, 1527 (27 Aug.)]
fo., liiii; CCC.lxxxiiii leaves Signatures: A-F⁸ G⁶ a-z⁸ [et]⁸ [rum]⁸ [con]⁸ 2a-2y⁸: ill. (18 large& 32 smaller woodcuts) ;
STC (2nd ed.), 24880
PL 2040 incomplete copy, lacking leaves A1-3,7,8; yy6-8 defective.
A translation, probably by William Caxton, based in part on the French translation of Jean de Vignay. Other editions of Caxton's translation: printed Caxton 1483 (colophon dated November 20th); reprinted by de Worde, 1493 (May 20th), 1498, 1501 (extract: stories of Bible, Adam-Judith) , 1507, 1512, 1521 (30 [sic] February). Also re-printed, Julyan Notary, 1504,
Chart showing the number of references in each month of the diary’s entries.