This play was entitled “Sawney the Scot, or the Taming of a Shrew,” and consisted of an alteration of Shakespeare’s play by John Lacy. Although it had long been popular it was not printed until 1698. In the old “Taming of a Shrew” (1594), reprinted by Thomas Amyot for the Shakespeare Society in 1844, the hero’s servant is named Sander, and this seems to have given the hint to Lacy, when altering Shakespeare’s “Taming of the Shrew,” to foist a ‘Scotsman into the action. Sawney was one of Lacy’s favourite characters, and occupies a prominent position in Michael Wright’s picture at Hampton Court. Evelyn, on October 3rd, 1662, “visited Mr. Wright, a Scotsman, who had liv’d long at Rome, and was esteem’d a good painter,” and he singles out as his best picture, “Lacy, the famous Roscius, or comedian, whom he has painted in three dresses, as a gallant, a Presbyterian minister, and a Scotch Highlander in his plaid.” Langbaine and Aubrey both make the mistake of ascribing the third figure to Teague in “The Committee;” and in spite of Evelyn’s clear statement, his editor in a note follows them in their blunder. Planche has reproduced the picture in his “History of Costume” (Vol. ii., p. 243).
This text comes from a footnote on a diary entry in the 1893 edition edited by Henry B. Wheatley.