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Tuesday 11 February 1661/62

Musique, then my brother Tom came, and spoke to him about selling of Sturtlow, he consents to, and I think will be the best for him, considering that he needs money, and has no mind to marry. Dined at home, and at the office in the afternoon. So home to musique, my mind being full of our alteracons in the garden, and my getting of things in the office settled to the advantage of my clerks, which I found Mr. Turner much troubled at, and myself am not quiet in mind. But I hope by degrees to bring it to it. At night begun to compose songs, and begin with “Gaze not on Swans.” So to bed.

Wednesday 12 February 1661/62Monday 10 February 1661/62

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  • Musique

    Sam’s apllying himself to the art of music making is quite admirable. I will cite this week’s entires to my own music students as how devoted practitioners should spend their time.

  • re: Clerks

    Why is Mr. Turner “much troubled at” Sam’s activities surrounding his clerks? You’d think that Sam’s efforts to settle things “to the advantage of [his] clerks” would please Turner, unless Sam’s stepping on his toes in some way … is Turner supposed to manage the clerks?

  • Clerks

    I read this line that Sam has been reassigning or assigning duties and / or small perks of the office to his clerks at some expense of Mr. Turner and / or his

  • “…I hope by degrees to bring it to it…”
    I suppose we all do this????

    I hope by degrees to bring “quiet” to “my mind”?

    I would say that Sam is trying to work ahead of the clerks and take full responsibility for his job in every detail so that Turner can’t bad mouth him with any sucess. His unquiet of mind is less clear; perhaps he is unhappy in having to play office politics against Turner? He may wish that he could allow Turner to do his part without Turner continueing to resent Sam having the better job and job title, but realizes that now he has to act to secure his own position.

  • Musique..
    You’re quite right, Daniel. Sam’s devotion to his music is quite marked in recent posts. He is still a young man, bemused by the vagueries of his world and often not to happy about the direction of his life.
    Had he but stumbled into his own Paul McCartney at this time, he might have said to heck with it all and taken a flagelot band on the road (perhaps to Hamburg) and we may never have had the diary!

  • ‘Gaze not on Swans’ was also set to music by H. Lawes in his ‘Ayres and Dialogues’, 1653.

  • “Gaze not on Swans”.

    (per L&M footnote) This was largely Birchensha’s work; presumably showing Sam how to go about the process by example.

  • Googling I found the following: http://www.amazon.co.uk/exec/obidos/ASIN/B0000D0W3G/ref=pd_rhf_p_1/202-2563574-0518263

  • “brother Tom …… has no mind to marry”

    So the earlier overtures that were being made on Tom’s behalf were presumably all the family’s idea, and not prompted by Tom himself.

  • I think SP writes most of the time about areas of tension in his life. In the beginning of the diary he was busy with his servants. It was a new experience for him to be in charge of others. It is a long time already that we read nothing interesting about the service people. Same for the link-boy or the coins they charged for this service and he had to pay. Remember first time he had the barber coming to his place? Well, today he has settled in his new position so this has become irrelevant to be remembered in the diary.
    Instead of writing about the former, we get lately a lot of information about painting and music, signaling his passage from his original position in society (and money solvency) to his actual position, where money is of course still important, but much bigger amounts of money!

  • Ruben, good points
    He does stew and worry over life’s mid-sized tensions. What we are getting now is the tensions of how to wrestle respect from the Sir Wms and various other soul-searching to be “big” enough for where his expectations have landed him. That his conclusions embrace hard work, keeping distractions at bay, and thinking it all through, endears him to me. He seems to have quite an aesthetic sense and enjoys the decorating and portrait-making that his money can buy. But the music has been with him (and with us) from the diary’s beginnings.

  • Pauline:
    to Pauline: you expressed better than me what I intended to say.
    Music was always there, but now he can afford to treat his teorbo to a costly overall, has a composition teacher and pays another teacher to teach him and his wife to sing; and we dont know how much all that costs because this expenses have become small money for him.

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