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Wednesday 6 June 1660

In the morning I had letters come, that told me among other things, that my Lord’s place of Clerk of the Signet was fallen to him, which he did most lovingly tell me that I should execute, in case he could not get a better employment for me at the end of the year. Because he thought that the Duke of York would command all, but he hoped that the Duke would not remove me but to my advantage.

I had a great deal of talk about my uncle Robert, and he told me that he could not tell how his mind stood as to his estate, but he would do all that lay in his power for me. After dinner came Mr. Cooke from London, who told me that my wife he left well at Huntsmore, though her health not altogether so constant as it used to be, which my heart is troubled for. Mr. Moore’s letters tell me that he thinks my Lord will be suddenly sent for up to London, and so I got myself in readiness to go.

My letters tell me, that Mr. Calamy had preached before the King in a surplice (this I heard afterwards to be false); that my Lord, Gen. Monk, and three more Lords, are made Commissioners for the Treasury;1 that my Lord had some great place conferred on him, and they say Master of the Wardrobe; that the two Dukes3 do haunt the Park much, and that they were at a play, Madam Epicene, the other day; that Sir. Ant. Cooper, Mr. Hollis, and Mr. Annesly, late President of the Council of State, are made Privy Councillors to the King. At night very busy sending Mr. Donne away to London, and wrote to my father for a coat to be made me against I come to London, which I think will not be long. At night Mr. Edward Montagu came on board and staid long up with my Lord. I to bed and about one in the morning, [continues tomorrow, PG]

  1. The names of the Commissioners were—Sir Edward Hyde, afterwards Earl of Clarendon, General Monk, Thomas, Earl of Southampton, John, Lord Robartes, Thomas, Lord Colepeper, Sir Edward Montagu, with Sir Edward Nicholas and Sir William Morrice as principal Secretaries of State. The patents are dated June 19th, 1660.
  2. Duke of York and Duke of Gloucester.

Thursday 7 June 1660Tuesday 5 June 1660

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Parliament on this day

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  • the two Dukes do haunt the Park much,

    This would be a reference to St James Park: http://www.pepysdiary.com/p/248.php

  • “and that they were at a play, Madam Epicene, the other day” —

    Does this mean the theaters have reopened? Or would it have been a private, clandestine performance?

  • “When, in the summer of 1660, General Monk occupied London for the restored King, Charles II, three of the old theatres were still standing empty. These were soon put into repair, and applied anew to theatrical uses, although only two of them seem to have been open at any one time. The three were the Red Bull, dating from Elizabeth’s reign, in St. John’s Street, Clerkenwell, where Pepys saw Marlowe’s “Faustus”; Salisbury Court, Whitefriars, off Fleet Street; and the Old Cockpit in Drury Lane, both of which were of more recent origin.” - Pepys Club - “Occasional Papers Published For Members Of The Samuel Pepys Club 1917-1923” - Edited by Philip Norman, taken from “Pepys And Shakespeare” by Sir Sidney Lee (read 30 Nov. 1905) - Chiswick Press, London 1925

  • Page 29 of Tomalin’s unequalled biography (a must for anyone hooked on this site) mentions that the Globe had been destroyed in 1644. When the puritan ordinance was due to run out 4 years later, actor-managers quickly mounted plays for New Year’s Day (1648). “At once the streets were jammed with the carriages of eager theatregoers.” Parliament of course promptly clamped down, “but the persecution was never entirely effective.”

  • Mr. Calamy had preached before the King in a surplice (this I heard afterwards to be false); is this another indication of SP backwards editing - anyone any idea of when he would have found this ‘to be false’ and why was it important am I missing something about Mr Calamy or should a nonconformist not appear before the King in a surplice?

  • The surplice

    was originally a vestment used in the Roman Catholic church and would have been seen as provocatively ‘high’ at the time of the Restoration. As late as the mid-nineteenth century its use in the anglican church was still a matter of considerable controversy. The years 1844-45 saw hot debate over ‘the surplice question’ and as late as 2nd November 1848 an Exeter newspaper, ‘The Exeter Flying Post’, was reporting a riot at St. Olave’s Church when the incumbent insisted on wearing a surplice.

  • The Surplice question. Whilst at Theological college (‘95-‘98) many of my fellow theologs felt obliged to ‘conform’ to the still current Anglican practice of wearing a surplice when leading/preaching… dismissed by many as ‘stupid dresses’… so the controversy is still alive 340-odd years later!

  • There’s information on the state of the theatres on the plays background page.

  • The surplice issue
    L&M weigh in on this one: “Edmund Calamy, sen., was one of the first of twelve or so Presbyterians made royal chaplains at this time as a reward for their party’s services at the Restoration. They were not required to use the Payer Book or to wear surplices, to which they objected. Henry Townshend’s diary … has the story that Calamy asked to be excused from wearing the surplice, only to be told that the King would not in this case bother him to preach at all.”

  • The wearing of the surplice would have more correctly smacked of Arminianism, that movement within Protestanism which Charles I unwisely sought to impose on Calvinist Scotland in the 1630’s and which led to the outbreak of the Bishop’s War, the prologue to the Civil War. Arminianism was theologically close to Roman Catholicism as Jacobus Arminius, the Dutch theologian taught that salvation was not necessarily predetermined , but could be achieved by the good works of the sinner. William Laud, Archbishop of Canterbury, propagated Arminianism in England, fell foul of the extreme puritan faction and was executed for his beliefs in January 1645. Therefore the wearing of the surplice would recall the religious divisions of the past which rent Britain asunder.

  • surplice:
    I’d like to thank Mary and Helena for providing the background necessary for grasping what’s going on here — and Arbor for confirming that it’s still going on!

  • Presumably these were genuine female actresses in the women’s roles, rather than boys - very shocking. And would they have come across from Europe with the Royalists.

  • Not true. Females began performing on the English stage in the 1650s while Cromwell was in power.

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